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Rod
Friend is a well established British stained glass artist working both
in Alozaina, Andalucia (Southern Spain) and England, with over 30 years'
experience of designing and making stained glass windows.
He
was born in 1939 in Buckinghamshire UK and educated at Canford
School, Dorset.
Rod
attended two London Art colleges in the 60's. Hammersmith (now
part of Chelsea School of Art) and the Royal College of Art.
Since
1972, two years after leaving the RCA with a M.A. degree, Rod
has been producing architectural stained glass, mostly painted, leaded
glass work for public and private buildings.
As
a child, music played a greater part in Rod's life than art. He
studied violin from the age of 7 to 17, and is still a keen pianist
today, occasionally professionally.
Rod
says: 'Music is very close to home and all the visual work unfolds
from it'. The studio is often alive with a wide variety of wonderful
recorded music and the studio piano gets played everyday.
Ninety percent of the studio's work is commissioned. Stained glass is a very environmental art form and is best designed and made for its own particular place.
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Rod
has a lifelong fascination with transmitted light since his innovative
kinetic work using light and liquids at the Royal College of Art.
This
has led to a deep commitment to designing and making stained glass
for private and public buildings as well as a variety of therapeutic
and sacred environments. When
there is space in between commissioned work, Rod makes his own
pieces and runs four/ five day courses for people who wish to
learn stained glass, glass painting, etching and glass Mosaic skills. (See
the Stained Glass Courses Page).

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Rod
is excited and inspired by the mystery and wonder of light and
by the darkness that throws it forth, by luminosity, by the incredible
dynamism of coloured light powered by the sun and how it informs
and affects the spaces that humans create.
On
Earth, darkness is the complementary twin to light, and the earliest
practitioners of the Stained Glass craft were also master weavers
of light and darkness.
How
can a jewel-like luminosity be created in the relative world without
its rising out of darkness? Goethe turned his poet's eye on the
solar spectrum and discovered that colours are generated from
the meetings of light and darkness... and all along the solar
spectrum live the light-vibration speeds of all the chemical elements
that we recognise and use on our planet.
That's
inspiring to Rod - to be able to wonder at that closest relationship
between what is 'material and what is immaterial'.
As
an art student for three years at The Royal College of Art in
the 60's Rod had the opportunity of marvelling at optics - reflection,
refraction, illusions and movement.
Stained
Glass is an art form that had its greatest flowering in the 12th
and 13th centuries, before the Renaissance began. It was
an age where the spiritual nature of light and luminosity was
widely regarded and studied, along with alchemy.
In
the late 20th century there has been a strong revival of interest
in light and colour and artists like Marc Chagall have used Stained
Glass to rekindle a source of mystical beauty that has been lost
for several centuries behind rigid stylisms.
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Among
other artists I admire are Evie Hone and Harry Clarke. Both these
artists created jewel-like windows and an idea that I like is
that Stained Glass is jewellery on an architectural scale.
Stained Glass and the use of coloured light is a continuity from
the age where alchemy was widely studied. The fact that
projected coloured light affects living tissue physiologically
as well as in ways shared by other art forms is one that interests
Rod deeply, He feels that he is not here to help fill up the world
with yet more objects but to hopefully affect people for the better.
Rod's
watchword is 'Healing Through Beauty'.
The new studio, opened in 2007 in Southern Spain, is an inspiring
place in a mountain olive grove that is slowly becoming a fruit and flower garden.

Click on image to enlarge
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