This roundel was made in 1992 in response to a vision that Alice Friend had in Chartres Cathedral in 1988, of the Divine Mother creating the Cosmos, giving birth not to the Son but to the Sun. In the vision, dolphins were seen as the messengers from the world of spirit, and around all is the symbol of eternity. The pose of the figure is the same as the 12th century 'Notre Dame de la Belle Verriere' in the South Ambulatory at Chartres.

800mm diameter.

This piece was commissioned and made in 1986 for the house of a healer in the UK. Its purpose is to show the presence of Being in all of nature. The central area is painted on a special, rare and costly rose-coloured glass that is made of gold and has yellow striations. This glass is powerfully therapeutic because of its combination of rose and gold, higher aspects of heart and head. Many thousands of postcards of this window have been sold and circulated round the world.  1502mm X 606mm

This was made as an exhibition panel and is now privately owned.

24 inch diameter (61 cm)

Part of a private commission in the Cotswolds, UK, from a couple who were keen for their children to grow up with stained glass (There are six other pieces). 1997

40" x 30" (1002mm x 706mm)

(Detail of Winter into Spring) Painting of winter landscape. 1997

This design originated in a childhood vision (of the client) of a flame rising from the sea. My contribution was to put in a reference to her Sagitarius Sun-sign.

A front door panel for a house in South Devon.....inspired by the thought that sky colours are more dynamic when viewed through the dark silhouetted forms of a hedge, perhaps a fact that contributed to the origin of painted architectural glass. 1982

30" x 18" (706mm x 406mm)

Private commission in Buckinghamshire. The commissioning couple's children are shown as fruit while their successive homes and animals are shown in border medallions. 1994

60" x 36" (1502mm x 901mm)

This roundel is about healing and was made as an exhibition panel in 1982. It shows a divine being touching the auric field of a human. It is made mostly of French blue-flashed, mouth-blown glass, extensively etched.

(30 inches, 705mm)

This octagonal panel shows a naked soul choosing a sphere of incarnation. 1982

24" (601mm) diameter

Mosaic mandala, made for a renowned spiritual teacher. 1999

30" (706mm) diameter

detail Mosaic mandala

30 inches by 20inches ( 76 x 51 cm.) bought by private collector in Norway

Door panel for a London house 1997

Teddy Bear window, Door panels for private house

1997

Teddy Bear window, Door panels for private house

1997

An image freely interpreted from a pre-Raphaelite original. 2000

12" x 20" (31mm x 501mm)

One of three ceiling panels (this one with astrological references) for a private house in Gloucestershire, UK. 1995

32" x 32" (801mm x 801mm)

This image is an attempt to depict the Higher Self of a human. To the extent that we can be in the seat of the Observer we can be fully in the material world, yet not of it. 1990

28" x 15" (701mm x 308mm)

This window was commissioned to commemorate the joining of two families in marriage. 1992

42" x 20" (1007mm x 501mm)

Small painted panel . Design derived from a 15th century woodcut. ("turn these stones into bread")

A copy of a 14th century panel in the Jerusalem Chamber, Westminster Abbey, London. 1973

20" x 14" (501mm x 306mm)

A memorial panel made to commemorate the life and death of a wonderful little boy. The image shows some of his favourite things. 1996

15" (380mm) diameter

Door panels developed from 'Tree Angel' design. 1996

both 36" x 12" (901mm x 300mm)

Detail from Door panel above. 1996

15" x 10" (308mm x 205mm)

1998 95 x 53 cm

Window for a private house in Gloucestershire

2002 90 x 60 cm

1993 (46 x 61 cm)

Small window for a London house.

Sand blasted door for music room

Marbella, Spain 2006